The presets are made by manipulating hue, saturation, and brightness in specific, coordinated ways.īefore we go any deeper, let’s go over some basic definitions: Think of a LUT like an Instagram filter for video footage - it’s a preset that instantly makes your footage look a certain way. We’ll explore some keystones from movie history to inspire the best cinema LUTs, as well as give a basic overview of the technical process of color grading your next project. However, we first want to take you through some of the nuts and bolts of how cinema LUTs allow you to maximize the potential of your footage to tell a story or send a message.

There is an awesome power in moments like this, and you can use modern color grading techniques in your videos, commercials, and movies to impact your audiences in similar ways.Īt the end of this article, we’ll give you a collection of the best free cinema LUTs. We have entered a world more real, more present, and perhaps even more dangerous, than our former reality. The monumentality of this transition is reinforced by the film’s use of color. Then, through the transitional wipe of an opening door, we are immersed into a world of Technicolor saturation, bright reds, sparkling greens, deep blues, and yellow brick roads. It’s an antique, faded world – no wonder she longs for a place somewhere over the rainbow.

Inside the house, and up to this point in the movie, we only see Dorothy’s world in monochrome - shades of sepia browns and yellows. In the iconic scene from 1939’s The Wizard of Oz when Dorothy opens the front door of her storm-swept homestead and discovers she’s not in Kansas anymore, we experience a masterclass in how cinematic color functions.

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